*Warning: This work contains many considerably harsh developments. It includes stressful plot developments, settings, and characters designed to provoke discomfort. Please be cautious if such content is difficult for you.* This world is destined for four tragedies. One is the path of restoring a fallen house alongside Lise Atla while seeking an end to the war with the Furia people. One is the path of ending the war together with Tia Victoire and embarking on a journey to find her homeland. One is the path of overcoming countless hardships alongside Aries Fin Winderbelle and immigrating to a new continent that has become an uninhabited wasteland. Why are these tragedies? The answer is singular: in the shadows of the story, a single girl is being sacrificed. Even in the remaining final path, she was never saved. Therefore, on a certain day, having become a character in a galge world named "Phantom Scarlet Bullet Cowboy," I resolve to fight to pioneer a route that should not exist in the game in pursuit of her salvation. The first condition for this is that I, who became the cannon fodder of the early game, must defeat the perfect superhuman protagonist. (Published in the official content "Today's One Book")
| Word | Frequency | Difficulty |
|---|---|---|
| 望ましい | 3 | 4.19 |
| 黒み | 3 | 5.44 |
| 三段 | 3 | 4.79 |
| 誇り高い | 3 | 4.76 |
| かまくら | 3 | 4.73 |
| 上司 | 3 | 3.74 |
| 多用 | 3 | 4.48 |
| 要らぬ | 3 | 4.16 |
| 引っ張り出す | 3 | 4.74 |
| 上から目線 | 3 | 4.47 |
| 実証 | 3 | 4.60 |
| すれすれ | 3 | 4.68 |
| 人伝 | 3 | 5.24 |
| 一般客 | 3 | 5.21 |
| ビクビク | 3 | 4.56 |
| 振り切れる | 3 | 4.80 |
| 映画 | 3 | 3.89 |
| 丸分かり | 3 | 5.67 |
| 抹消 | 3 | 4.61 |
| 射線 | 3 | 4.40 |
| 渾身 | 3 | 3.97 |
| 能無し | 3 | 5.28 |
| 音声 | 3 | 4.18 |
| 精悍 | 3 | 4.40 |
| 後世 | 3 | 4.31 |
| 死生観 | 3 | 5.47 |
| 配備 | 3 | 3.87 |
| 命を捧げる | 3 | 5.51 |
| 喉を潤す | 3 | 4.99 |
| 即興 | 3 | 4.73 |
| 引き払う | 3 | 4.85 |
| 食い込み | 3 | 4.93 |
| 軽んじる | 3 | 5.03 |
| 発足 | 3 | 4.78 |
| 石礫 | 3 | 5.00 |
| 揺るぎ | 3 | 5.11 |
| 降り出す | 3 | 4.92 |
| 怪我をした | 3 | 4.30 |
| 手のもの | 3 | 4.70 |
| 餌付け | 3 | 4.76 |
| お召し替え | 3 | 5.31 |
| 訳が違う | 3 | 5.09 |
| 領内 | 3 | 3.85 |
| 軽業師 | 3 | 5.23 |
| となったら | 3 | 4.53 |
| 水不足 | 3 | 5.17 |
| こちらの話 | 3 | 4.96 |
| 砥 | 3 | 5.22 |
| 爛々 | 3 | 4.34 |
| 浮上 | 3 | 4.19 |
| 見込み | 3 | 4.22 |
| 無性に | 3 | 4.36 |
| 買い手 | 3 | 3.97 |
| 贖い | 3 | 5.48 |
| 飲みこみ | 3 | 5.58 |
| じゃらじゃら | 3 | 5.24 |
| 杞憂 | 3 | 4.21 |
| 配座 | 3 | 4.70 |
| 対照的 | 3 | 3.99 |
| 踊り | 3 | 3.82 |
| 愛嬌 | 3 | 4.29 |
| 中心人物 | 3 | 4.79 |
| 曖昧さ | 3 | 5.47 |
| 傍流 | 3 | 5.16 |
| 頂上 | 3 | 4.23 |
| ほど近い | 3 | 4.68 |
| 儘 | 3 | 5.32 |
| モード | 3 | 3.77 |
| 気道 | 3 | 5.25 |
| 馬鹿馬鹿しい | 3 | 4.27 |
| 田畑 | 3 | 4.63 |
| 地理的 | 3 | 4.93 |
| 曲がり | 3 | 4.45 |
| 水音 | 3 | 4.59 |
| 観念 | 3 | 4.18 |
| 頻発 | 3 | 4.85 |
| 舌先 | 3 | 5.01 |
| 湿り | 3 | 5.70 |
| 目尻を下げる | 3 | 5.84 |
| 天和 | 3 | 4.47 |
| 熱気 | 3 | 4.01 |
| ゴロツキ | 3 | 4.62 |
| 便箋 | 3 | 4.74 |
| 施米 | 3 | 4.66 |
| 相 | 3 | 3.93 |
| 考えなし | 3 | 4.69 |
| 肩透かし | 3 | 4.85 |
| 褒美 | 3 | 4.04 |
| 手ぬるい | 3 | 5.50 |
| 現況 | 3 | 5.38 |
| 果実酒 | 3 | 4.28 |
| 仕事量 | 3 | 4.85 |
| チラチラ | 3 | 4.14 |
| 芝生 | 3 | 4.46 |
| 女体 | 3 | 5.19 |
| 戦争状態 | 3 | 5.12 |
| 啓示 | 3 | 4.81 |
| 商機 | 3 | 5.19 |
| 歯くそ | 3 | 5.06 |
| 専ら | 3 | 4.38 |
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