*Warning: This work contains many considerably harsh developments. It includes stressful plot developments, settings, and characters designed to provoke discomfort. Please be cautious if such content is difficult for you.* This world is destined for four tragedies. One is the path of restoring a fallen house alongside Lise Atla while seeking an end to the war with the Furia people. One is the path of ending the war together with Tia Victoire and embarking on a journey to find her homeland. One is the path of overcoming countless hardships alongside Aries Fin Winderbelle and immigrating to a new continent that has become an uninhabited wasteland. Why are these tragedies? The answer is singular: in the shadows of the story, a single girl is being sacrificed. Even in the remaining final path, she was never saved. Therefore, on a certain day, having become a character in a galge world named "Phantom Scarlet Bullet Cowboy," I resolve to fight to pioneer a route that should not exist in the game in pursuit of her salvation. The first condition for this is that I, who became the cannon fodder of the early game, must defeat the perfect superhuman protagonist. (Published in the official content "Today's One Book")
| Word | Frequency | Difficulty |
|---|---|---|
| 遠隔地 | 2 | 5.38 |
| 土地勘 | 2 | 4.95 |
| あんな風に | 2 | 4.27 |
| 太鼓 | 2 | 4.46 |
| 後がない | 2 | 5.02 |
| 疑心暗鬼 | 2 | 4.68 |
| 無事か | 2 | 4.48 |
| 許容範囲 | 2 | 4.56 |
| 明快 | 2 | 5.03 |
| 有意義 | 2 | 4.32 |
| 死刑 | 2 | 4.37 |
| 余剰 | 2 | 4.53 |
| 当る | 2 | 4.63 |
| 一途に | 2 | 5.02 |
| 少し間を置いて | 2 | 5.20 |
| 凡 | 2 | 4.69 |
| うまくいく | 2 | 4.52 |
| 満ち足りる | 2 | 4.72 |
| 食わす | 2 | 4.84 |
| 堅実 | 2 | 4.38 |
| 抜き出す | 2 | 4.67 |
| 血を見る | 2 | 5.36 |
| 否々 | 2 | 3.79 |
| 読み物 | 2 | 5.42 |
| 観光 | 2 | 3.96 |
| 絶命 | 2 | 4.07 |
| 転々 | 2 | 4.84 |
| 村長 | 2 | 3.44 |
| 走法 | 2 | 5.60 |
| 夕暮れ時 | 2 | 4.77 |
| それはない | 2 | 4.11 |
| 道具一式 | 2 | 5.07 |
| 澄まし | 2 | 4.84 |
| 家庭教師 | 2 | 4.28 |
| くらり | 2 | 5.23 |
| 聞き入る | 2 | 4.46 |
| 一画 | 2 | 4.72 |
| パラメータ | 2 | 4.75 |
| 良家 | 2 | 4.95 |
| 書き出す | 2 | 5.07 |
| 左隣 | 2 | 4.80 |
| 話し相手 | 2 | 4.52 |
| 好機を逃す | 2 | 5.47 |
| 脚絆 | 2 | 5.91 |
| 敵役 | 2 | 5.29 |
| 初々しい | 2 | 4.71 |
| 送り狼 | 2 | 6.10 |
| 市壁 | 2 | 5.36 |
| 愚作 | 2 | 6.18 |
| 反対意見 | 2 | 4.74 |
| 予防策 | 2 | 5.47 |
| 砂の城 | 2 | 5.67 |
| 造船 | 2 | 4.62 |
| 俯き加減 | 2 | 5.17 |
| 懸かる | 2 | 4.94 |
| 罵り | 2 | 4.61 |
| いい人 | 2 | 4.21 |
| 立ち振る舞い | 2 | 4.73 |
| 言うところの | 2 | 4.24 |
| 搏風 | 2 | 4.49 |
| スルー | 2 | 3.79 |
| ピン留め | 2 | 6.36 |
| 一般向け | 2 | 5.27 |
| 予約 | 2 | 4.05 |
| ミートパイ | 2 | 5.27 |
| 上端 | 2 | 5.69 |
| 折り返し地点 | 2 | 5.43 |
| 息女 | 2 | 4.56 |
| いらっしゃい | 2 | 4.04 |
| 情婦 | 2 | 5.41 |
| ボケ | 2 | 3.70 |
| ひねくれ者 | 2 | 5.49 |
| 仲間同士 | 2 | 4.96 |
| 現実味 | 2 | 4.48 |
| 調停者 | 2 | 5.25 |
| ブレる | 2 | 5.20 |
| 打ち切り | 2 | 4.87 |
| 軍配 | 2 | 4.88 |
| がー | 2 | 4.44 |
| 科学力 | 2 | 5.31 |
| 言い表す | 2 | 4.80 |
| 怨念 | 2 | 4.38 |
| 深読み | 2 | 5.00 |
| 謙遜 | 2 | 4.25 |
| 焦げ臭い | 2 | 5.10 |
| 救援 | 2 | 3.97 |
| 岸壁 | 2 | 4.96 |
| 作為 | 2 | 5.34 |
| 多淫 | 2 | 5.62 |
| 差し控える | 2 | 5.41 |
| 寛い | 2 | 4.42 |
| 寒 | 2 | 4.51 |
| 名君 | 2 | 4.94 |
| 骨ばる | 2 | 5.26 |
| 中心点 | 2 | 5.28 |
| 前代未聞 | 2 | 4.59 |
| パラレルワールド | 2 | 5.38 |
| 理念 | 2 | 4.45 |
| 姿を隠す | 2 | 4.89 |
| 一財産 | 2 | 5.19 |
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