When Yoshinokazu Shiro returns to his home, the familiar apartment building is nowhere to be found, and in its place stands a single-family house. Unable to comprehend the situation at all, the confused Shiro wanders about until he is taken into protective custody by the police. Just as he falls into despair at the police box, a stunningly beautiful woman (from Shiro's perspective), Otona Rinriko, appears before him―――. The stage is modern-day Japan. However, this world is just slightly different from the original world. The female-to-male ratio is 3:1. Slightly different aesthetic values, and slightly different common sense and races. Pig-people (Orcs) are considered beautiful, while long-eared people (Elves) are called the epitome of ugliness. Beast-people with ears, horse-folk, blue-skinned people with horns and wings, etc……. Not knowing how to return to his original world, Shiro decides to live in this world. This is a story depicting the daily life of him and the people who gather around him. ■This is a work that respects a certain "reversed" story. Don't think too deeply about the settings! Irregular updates.
| Word | Frequency | Difficulty |
|---|---|---|
| 照れる | 1 | 3.93 |
| 落ち着く | 1 | 3.00 |
| 近づく | 1 | 2.83 |
| クリスマス | 1 | 4.15 |
| 拾い上げる | 1 | 4.11 |
| そうですね | 1 | 3.02 |
| 不躾 | 1 | 4.47 |
| 考えにくい | 1 | 4.31 |
| 強制的 | 1 | 3.82 |
| 平々凡々 | 1 | 5.25 |
| 未来 | 1 | 3.08 |
| ごゆっくり | 1 | 4.61 |
| 凡そ | 1 | 3.59 |
| とる | 1 | 3.14 |
| 細か | 1 | 4.03 |
| 常識の範囲内 | 1 | 5.34 |
| 渦巻状 | 1 | 6.64 |
| 言うなれば | 1 | 4.25 |
| 股間 | 1 | 4.27 |
| 目指す | 1 | 3.30 |
| 滲む | 1 | 3.60 |
| 黙る | 1 | 2.92 |
| めり込む | 1 | 4.17 |
| お達し | 1 | 4.93 |
| 甲高い | 1 | 3.95 |
| その物 | 1 | 3.04 |
| 気持ち | 1 | 2.61 |
| 手入れ | 1 | 3.12 |
| 冷静 | 1 | 3.16 |
| に加え | 1 | 3.96 |
| 絶望 | 1 | 3.38 |
| ともかく | 1 | 3.10 |
| コンビニ弁当 | 1 | 5.61 |
| 起こし | 1 | 3.33 |
| 我慢 | 1 | 3.21 |
| 取り出す | 1 | 2.90 |
| 現役 | 1 | 4.17 |
| 建物 | 1 | 3.04 |
| 忙しない | 1 | 4.31 |
| 中々 | 1 | 2.84 |
| スる | 1 | 4.86 |
| と思われる | 1 | 3.34 |
| 情報 | 1 | 2.52 |
| 嘘のよう | 1 | 4.20 |
| 登場 | 1 | 3.44 |
| 何時まで | 1 | 3.82 |
| 情景 | 1 | 4.48 |
| 住宅街 | 1 | 4.59 |
| 内面 | 1 | 4.35 |
| 昼ドラ | 1 | 5.44 |
| そこまで | 1 | 2.73 |
| 姿形 | 1 | 4.33 |
| 伺う | 1 | 3.58 |
| せめて | 1 | 3.31 |
| エリート | 1 | 4.19 |
| ては | 1 | 2.43 |
| いつの間にか | 1 | 3.19 |
| ゴメン | 1 | 4.19 |
| 歩き | 1 | 3.21 |
| 絵になる | 1 | 4.69 |
| 大体 | 1 | 3.26 |
| 彼の | 1 | 2.60 |
| 程がある | 1 | 4.11 |
| 厭々 | 1 | 3.29 |
| 寧 | 1 | 2.86 |
| 書き方 | 1 | 4.75 |
| 今一度 | 1 | 4.32 |
| 嬉しい | 1 | 2.74 |
| しかも | 1 | 2.72 |
| 銀糸 | 1 | 4.69 |
| 飲む | 1 | 2.84 |
| 惑わす | 1 | 4.26 |
| 可哀想に | 1 | 4.39 |
| 会場 | 1 | 3.33 |
| 希 | 1 | 3.83 |
| 乗せる | 1 | 3.07 |
| 些し | 1 | 3.99 |
| 付く | 1 | 2.78 |
| 保証 | 1 | 3.70 |
| 温める | 1 | 3.98 |
| からこそ | 1 | 3.25 |
| それが | 1 | 2.31 |
| 顕著 | 1 | 4.36 |
| 誰が | 1 | 3.18 |
| 失礼しました | 1 | 4.18 |
| 感じ取る | 1 | 3.58 |
| だからこそ | 1 | 2.92 |
| 形式的 | 1 | 4.90 |
| 性欲 | 1 | 4.45 |
| 居る | 1 | 2.39 |
| はぐる | 1 | 4.98 |
| ですから | 1 | 2.87 |
| 明日 | 1 | 2.80 |
| 擬音 | 1 | 4.75 |
| 如何 | 1 | 3.47 |
| アクビ | 1 | 5.70 |
| 傾ける | 1 | 3.62 |
| 霧散 | 1 | 3.98 |
| 香り | 1 | 3.32 |
| 嫌 | 1 | 2.74 |
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