A vulgar loli otaku NEET named Aage, whose entire life consisted of nothing but delivery health services and information from the rectangular box in front of him, gets caught up in a wager between gods one day. His vulgar thoughts catch the fancy of the god of thieves, and he ends up reincarnating in another world as a "thief girl." With an adorable appearance but the mindset of the king of vulgarity, Aage's will is fixed on harassing both the "Hero," the proxy of the warrior god, and the "Demon King," the proxy of the opposing magic god. She draws the girls of the other world into her yuri fantasies and pursues a victorious life, while also directing various forms of harassment at the Hero and Demon King who compete for hegemony—what will become of this thief girl's fate! Since that approach alone seems insufficient, let me include another theme of this work through an "excerpt." I really am grateful to Miss Elis. Until now, we were treated like bitches in the darkness of alleyways, endured our hatred of men, trembled in fear of bearing unwanted children, and our only pleasures were the day's bread and imagining our families eating that bread. We are all women who somehow buttoned our lives incorrectly somewhere. Thanks to Miss, we're all finally able to rebutton them in their proper places. With the "little good things" and "very good things" Miss taught us, there's no anxiety about bearing children either. The bathhouse is clean, and the clientele is respectable. Unspoken rules favorable to us have even formed in the shop. The thief guild protects us from stalker-like types. We've finally gotten the margin to think about "tomorrow." I like my current job. Making the men cry out is suited to me. But Hannah isn't like that. For a woman with a man she's fallen for, this work is painful. So shouldn't I help wash the feet that can be washed? Do you understand, Miss? It's like this throughout the whole thing. Though lesbians, Takarazuka, homos, gays, drag queens, and straight people all get mixed in together.
| Word | Frequency | Difficulty |
|---|---|---|
| 指定席 | 2 | 5.30 |
| 商店街 | 2 | 4.34 |
| 当然ながら | 2 | 3.77 |
| すい | 2 | 3.66 |
| 一泡 | 2 | 5.18 |
| 従属 | 2 | 4.33 |
| 凄腕 | 2 | 4.28 |
| 担保 | 2 | 4.68 |
| 洗面室 | 2 | 6.43 |
| 新装開店 | 2 | 6.16 |
| ダンピング | 2 | 6.32 |
| 裂く | 2 | 3.73 |
| 谷間 | 2 | 4.53 |
| 目を通す | 2 | 4.40 |
| 私刑 | 2 | 5.21 |
| オープンスペース | 2 | 6.16 |
| 解析 | 2 | 3.69 |
| 次姉 | 2 | 5.30 |
| はあっ | 2 | 3.75 |
| 渡り | 2 | 3.94 |
| 岩石 | 2 | 4.19 |
| 得体 | 2 | 4.51 |
| 優先的 | 2 | 4.42 |
| 作為的 | 2 | 5.15 |
| 突きたてる | 2 | 5.97 |
| まごまご | 2 | 5.26 |
| 叩き切る | 2 | 5.21 |
| 投げ出す | 2 | 3.88 |
| 干上がる | 2 | 4.98 |
| 四苦八苦 | 2 | 4.69 |
| 天下御免 | 2 | 6.18 |
| 訳ではありません | 2 | 3.90 |
| ろくでもない | 2 | 4.60 |
| トンズラ | 2 | 5.35 |
| アンド | 2 | 4.72 |
| 運行 | 2 | 4.84 |
| ロマン | 2 | 4.13 |
| 緊張感 | 2 | 3.77 |
| 逃れ | 2 | 3.96 |
| 恐るべき | 2 | 4.03 |
| 目論見 | 2 | 4.21 |
| 再現 | 2 | 3.60 |
| 1等 | 2 | 5.91 |
| 脾 | 2 | 4.86 |
| すやすや | 2 | 4.61 |
| 懸命 | 2 | 3.94 |
| メロディー | 2 | 5.08 |
| 仕切る | 2 | 4.15 |
| 席替え | 2 | 5.42 |
| 査証 | 2 | 6.59 |
| ホイップクリーム | 2 | 5.43 |
| ダミー | 2 | 4.67 |
| 格段 | 2 | 4.07 |
| パン屋 | 2 | 4.41 |
| 摘む | 2 | 4.02 |
| 香りがする | 2 | 4.59 |
| 口に含む | 2 | 4.69 |
| 壁面 | 2 | 4.29 |
| 遣られる | 2 | 4.08 |
| 愛情 | 2 | 3.79 |
| 立ち入る | 2 | 4.31 |
| 並び立つ | 2 | 4.46 |
| 一呼吸 | 2 | 4.59 |
| 一笑 | 2 | 4.88 |
| 自殺行為 | 2 | 4.41 |
| 建築 | 2 | 3.95 |
| 斜め | 2 | 4.01 |
| 逆流 | 2 | 4.70 |
| 仲いい | 2 | 4.99 |
| 満開 | 2 | 4.83 |
| ツンツン | 2 | 4.64 |
| 真逆 | 2 | 4.18 |
| からして | 2 | 3.45 |
| 第2 | 2 | 4.06 |
| したる | 2 | 5.31 |
| 馬鹿女 | 2 | 5.35 |
| 辺 | 2 | 3.32 |
| 騒がしい | 2 | 3.67 |
| いち早く | 2 | 4.22 |
| 通せんぼ | 2 | 5.35 |
| 翠玉 | 2 | 4.98 |
| キール | 2 | 3.86 |
| 担当者 | 2 | 4.40 |
| 初歩 | 2 | 4.79 |
| 握手 | 2 | 3.88 |
| 公共事業 | 2 | 5.11 |
| 挘る | 2 | 5.73 |
| セコンド | 2 | 5.54 |
| パンク | 2 | 4.82 |
| 後ずさる | 2 | 4.13 |
| 失態 | 2 | 4.00 |
| 5百 | 2 | 5.99 |
| 画工 | 2 | 4.11 |
| 入念 | 2 | 4.40 |
| はめ込む | 2 | 4.68 |
| リハーサル | 2 | 5.20 |
| 彼女なり | 2 | 4.66 |
| 極限 | 2 | 4.15 |
| 狂乱 | 2 | 4.48 |
| 遂行 | 2 | 4.23 |
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