In a world already destroyed and forgotten, a man awakens. Crossing four hundred years of time, a man who seems like a savior walks through the wasteland. But that man who seems like a savior was a pervert. Immediately upon waking, he swings his crotch around, strips the clothes off a girl he picked up, and transforms pain into pleasure—a post-apocalyptic fantasy woven together by such a man and a girl with a sharp tongue for retorts. The story of Yoko, a girl picked up by a pervert, and Saihate, the perverted man who picked her up, living enjoyably in an apocalyptic world. Think of it as Fallout with an added cute heroine and chaotic protagonist. Rest assured, except for some characters, everyone is a PERVERT! Revised version: http://ncode.syosetu.com/n9625cg/
| Word | Frequency | Difficulty |
|---|---|---|
| 追放 | 2 | 3.96 |
| 想う | 2 | 3.60 |
| 手間 | 2 | 3.57 |
| 帰路 | 2 | 4.40 |
| 歴史 | 2 | 3.34 |
| の余り | 2 | 3.75 |
| 撫でる | 2 | 2.95 |
| ガビガビ | 2 | 6.45 |
| 細心 | 2 | 4.45 |
| 表現 | 2 | 3.37 |
| うす | 2 | 4.95 |
| 所属 | 2 | 3.37 |
| 震わせる | 2 | 3.45 |
| ミノタウロス | 2 | 4.11 |
| 丁寧 | 2 | 3.39 |
| であれば | 2 | 2.92 |
| 否 | 2 | 3.49 |
| 日常 | 2 | 3.67 |
| やり直し | 2 | 4.33 |
| 防衛 | 2 | 3.47 |
| 決め | 2 | 3.10 |
| 破裂 | 2 | 4.12 |
| 生き抜く | 2 | 4.33 |
| 下りる | 2 | 3.84 |
| コーディネート | 2 | 4.98 |
| ディスプレイ | 2 | 4.64 |
| 認める | 2 | 3.18 |
| 首を傾げる | 2 | 3.48 |
| 習慣 | 2 | 4.05 |
| 胸中 | 2 | 4.02 |
| 統括 | 2 | 4.17 |
| 画僧 | 2 | 2.89 |
| 空薬莢 | 2 | 5.53 |
| 構う | 2 | 3.29 |
| 五指 | 2 | 5.09 |
| 嫌い | 2 | 3.22 |
| 昨夜 | 2 | 3.52 |
| 七十 | 2 | 4.22 |
| センサー | 2 | 4.29 |
| 自白剤 | 2 | 5.47 |
| 覗きこむ | 2 | 4.71 |
| 旅立つ | 2 | 3.92 |
| 伴う | 2 | 3.51 |
| 平気 | 2 | 3.56 |
| ぐっすり | 2 | 4.32 |
| となれば | 2 | 3.33 |
| 野生 | 2 | 3.95 |
| ほっと一息 | 2 | 4.94 |
| 圧倒的 | 2 | 3.25 |
| 瞬く間に | 2 | 3.83 |
| ここに来て | 2 | 3.84 |
| かよ | 2 | 3.36 |
| 推測 | 2 | 3.43 |
| 体勢 | 2 | 3.40 |
| タイプ | 2 | 3.22 |
| 呼び込む | 2 | 4.58 |
| ざっくり | 2 | 4.34 |
| 黒色 | 2 | 4.22 |
| 必死になって | 2 | 4.14 |
| ハンドサイン | 2 | 4.99 |
| 分断 | 2 | 4.10 |
| コンピュータ | 2 | 4.97 |
| 吠える | 2 | 3.84 |
| 良ければ | 2 | 3.76 |
| 急に | 2 | 3.14 |
| 降る | 2 | 3.80 |
| 一声 | 2 | 4.20 |
| アスファルト | 2 | 4.75 |
| 狙い | 2 | 3.28 |
| そんじゃ | 2 | 4.55 |
| 握力 | 2 | 4.59 |
| 凄い | 2 | 2.72 |
| 構成 | 2 | 3.42 |
| 闇夜 | 2 | 4.41 |
| 夢の国 | 2 | 5.28 |
| 放置 | 2 | 3.34 |
| 他に | 2 | 3.02 |
| 止め | 2 | 2.78 |
| 感触 | 2 | 3.37 |
| 食らう | 2 | 3.56 |
| 正気 | 2 | 3.67 |
| そりゃ | 2 | 3.16 |
| 大阪 | 2 | 4.58 |
| 厳戒態勢 | 2 | 5.06 |
| 軍 | 2 | 2.60 |
| たった | 2 | 3.33 |
| 採用 | 2 | 3.92 |
| 優秀 | 2 | 3.23 |
| その間 | 2 | 3.25 |
| 刻む | 2 | 3.37 |
| ゴリラ | 2 | 4.21 |
| 点者 | 2 | 3.84 |
| 五人 | 2 | 3.58 |
| 任せる | 2 | 3.12 |
| ファーザー | 2 | 6.69 |
| 二百 | 2 | 3.78 |
| 空き缶 | 2 | 5.25 |
| 狂う | 2 | 3.61 |
| 文量 | 2 | 5.79 |
| そうして | 2 | 2.85 |
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