Chapters 1-3 are science fiction that carefully researches the mysteries of magical principles, the composition of magical power, its structure, and properties over a long period of time. Hypotheses, experiments, analysis, verification, and formulas and numerical values that emerge from them. The element of "making magic scientific" is pursued persistently. Chapter 4 is something wearing the skin of standard fantasy. On the surface, it's a brave protagonist in a fantasy setting, but when you look deeper, it becomes a duality that makes you smirk. True to the title's suggestion, the protagonist dies within the first few episodes and becomes some sort of no-life being, but that doesn't mean it becomes dark in tone. Probably.
| Word | Frequency | Difficulty |
|---|---|---|
| ゴボウ | 3 | 4.86 |
| ギリシャ語 | 3 | 6.04 |
| 小粒 | 3 | 5.04 |
| ボロ | 3 | 4.47 |
| 形跡 | 3 | 4.37 |
| 亀の歩み | 3 | 5.73 |
| 動体視力 | 3 | 4.65 |
| 自 | 3 | 4.12 |
| ガッチリ | 3 | 4.76 |
| 栓 | 3 | 4.83 |
| 向かい | 3 | 3.46 |
| ハイスペック | 3 | 4.83 |
| 静謐 | 3 | 4.54 |
| 腐臭 | 3 | 4.75 |
| 離婚 | 3 | 4.28 |
| 近所 | 3 | 3.94 |
| 変装 | 3 | 4.02 |
| 清々しい | 3 | 4.17 |
| 立ち位置 | 3 | 3.95 |
| 慰安婦 | 3 | 6.48 |
| ぐんぐん | 3 | 4.48 |
| 獰猛 | 3 | 4.02 |
| 二分の一 | 3 | 5.52 |
| 振り乱す | 3 | 4.75 |
| 蹲る | 3 | 4.33 |
| 悪辣 | 3 | 4.45 |
| 風情 | 3 | 3.99 |
| 思考停止 | 3 | 4.84 |
| 牙を剥く | 3 | 4.71 |
| タネ | 3 | 4.74 |
| 黒焦げ | 3 | 4.74 |
| 技術的 | 3 | 4.50 |
| あそこ | 3 | 3.21 |
| 御免 | 3 | 4.27 |
| 聴く | 3 | 3.95 |
| 子なし | 3 | 3.78 |
| 砂鉄 | 3 | 4.82 |
| 涙目 | 3 | 3.75 |
| それでは | 3 | 3.06 |
| ふざける | 3 | 3.70 |
| 班 | 3 | 3.63 |
| 流麗 | 3 | 4.62 |
| 計画通り | 3 | 4.57 |
| 舟 | 3 | 4.42 |
| 尾根 | 3 | 4.61 |
| 切り結ぶ | 3 | 4.68 |
| 大阪 | 3 | 4.58 |
| 高が | 3 | 3.91 |
| お膳立て | 3 | 4.71 |
| 見逃す | 3 | 3.66 |
| 書名 | 3 | 5.31 |
| 閉まる | 3 | 4.04 |
| 次のように | 3 | 5.09 |
| 想起 | 3 | 4.51 |
| 二日間 | 3 | 4.63 |
| 無理はない | 3 | 4.01 |
| 水やり | 3 | 5.24 |
| 透けて見える | 3 | 4.65 |
| 談笑 | 3 | 4.07 |
| 商業 | 3 | 3.80 |
| 大群 | 3 | 4.20 |
| 最高潮 | 3 | 4.64 |
| 戦闘能力 | 3 | 3.89 |
| 動物達 | 3 | 4.86 |
| 難度 | 3 | 4.59 |
| 引き換え | 3 | 4.12 |
| 無性に | 3 | 4.36 |
| 弓兵 | 3 | 4.14 |
| 順次 | 3 | 4.56 |
| 軋轢 | 3 | 4.64 |
| ラスト | 3 | 4.24 |
| あなた方 | 3 | 3.88 |
| 改変 | 3 | 4.20 |
| 奥地 | 3 | 4.48 |
| 見るから | 3 | 3.92 |
| 真っ当 | 3 | 4.06 |
| 封 | 3 | 4.05 |
| 閉ざす | 3 | 3.80 |
| 猛攻 | 3 | 4.23 |
| 平行線 | 3 | 4.86 |
| 仕方なく | 3 | 3.79 |
| 読み返す | 3 | 4.72 |
| 転用 | 3 | 4.67 |
| とてもじゃないが | 3 | 4.51 |
| 泥棒 | 3 | 4.31 |
| 麦 | 3 | 4.07 |
| 指示を出す | 3 | 3.96 |
| 運よく | 3 | 4.57 |
| 深まる | 3 | 4.21 |
| 提示 | 3 | 3.79 |
| 道理 | 3 | 3.95 |
| 無実 | 3 | 4.54 |
| 身の丈 | 3 | 4.38 |
| 乗っかる | 3 | 4.23 |
| 趣 | 3 | 4.42 |
| 美味い | 3 | 3.39 |
| 内輪もめ | 3 | 5.53 |
| シチュエーション | 3 | 4.31 |
| 気にする | 3 | 3.51 |
| 散乱 | 3 | 4.36 |
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