The moment Nozomi received a scout offer to enter the entertainment industry, she realized, "Oh, this is the world of a web novel." In that novel, she was what you'd call a "villain" character—she became infatuated with the main hero and ended up playing the role of a stepping stone, losing her position as a top actress to the heroine, a newcomer actress. Thinking that if she couldn't go against the scenario, she might as well become the ultimate rival, she worked hard with this determination and ended up acquiring unexpectedly high specs. What does tomorrow hold for Nozomi? ※On 4/20, I posted two "progress reports" as sequels in two parts (before and after). This is now completely concluded. Thank you for your support.
| Word | Frequency | Difficulty |
|---|---|---|
| 信念 | 2 | 4.23 |
| ポーズ | 2 | 3.86 |
| 床 | 2 | 3.03 |
| タイトル | 2 | 3.97 |
| 年の瀬 | 2 | 5.42 |
| 苦々しい | 2 | 4.05 |
| とうとう | 2 | 3.70 |
| 体験 | 2 | 3.69 |
| 広まる | 2 | 3.83 |
| 保つ | 2 | 3.36 |
| すべく | 2 | 4.11 |
| じゃあね | 2 | 4.51 |
| 貸してあげる | 2 | 5.19 |
| ミステリー | 2 | 5.11 |
| 飛び出す | 2 | 3.50 |
| 負けず嫌い | 2 | 4.62 |
| 資格 | 2 | 3.72 |
| 技官 | 2 | 5.84 |
| アナウンサー | 2 | 4.86 |
| 実況 | 2 | 4.08 |
| 馬鹿馬鹿しい | 2 | 4.27 |
| 怒鳴りつける | 2 | 4.33 |
| 懐 | 2 | 3.44 |
| 追いやる | 2 | 4.06 |
| スタント | 2 | 6.37 |
| 紙コップ | 2 | 5.19 |
| 唯一 | 2 | 3.27 |
| 定位置 | 2 | 4.56 |
| 接点 | 2 | 4.23 |
| 横に | 2 | 3.00 |
| 良かったら | 2 | 3.96 |
| 発生 | 2 | 3.13 |
| お迎え | 2 | 4.26 |
| 棒切れ | 2 | 5.10 |
| 選り好み | 2 | 5.23 |
| 緩む | 2 | 3.73 |
| 謝り | 2 | 4.17 |
| 強か | 2 | 4.49 |
| ふらり | 2 | 4.42 |
| 取り扱う | 2 | 4.38 |
| 歩み寄る | 2 | 3.78 |
| 突きつける | 2 | 3.74 |
| 纏め | 2 | 3.77 |
| 民放 | 2 | 6.39 |
| 頷き | 2 | 3.24 |
| あ痛 | 2 | 4.66 |
| 知り合う | 2 | 4.06 |
| 二更 | 2 | 4.25 |
| 挟み | 2 | 4.30 |
| 語り | 2 | 3.68 |
| 考え方 | 2 | 3.72 |
| 強気 | 2 | 4.16 |
| 相次いで | 2 | 5.01 |
| 言い返す | 2 | 4.01 |
| ビジネス | 2 | 4.83 |
| 解消 | 2 | 3.69 |
| 賑やか | 2 | 3.81 |
| 熱心 | 2 | 3.89 |
| 言い渡す | 2 | 4.37 |
| 都市化 | 2 | 3.34 |
| 搏風 | 2 | 4.49 |
| 芸能レポーター | 2 | 6.69 |
| がっつり | 2 | 4.57 |
| 名乗り | 2 | 3.99 |
| 聞き役 | 2 | 5.17 |
| 出発 | 2 | 3.26 |
| たらしい | 2 | 4.18 |
| 言い過ぎ | 2 | 4.50 |
| ダブルス | 2 | 5.61 |
| 死に | 2 | 3.20 |
| 苦情 | 2 | 4.34 |
| 只中 | 2 | 4.83 |
| 座り | 2 | 3.58 |
| 生い立ち | 2 | 4.77 |
| 梃 | 2 | 3.64 |
| 回転 | 2 | 3.46 |
| そうになった | 2 | 3.59 |
| 話せる | 2 | 3.64 |
| 風味 | 2 | 3.98 |
| 悲劇 | 2 | 3.99 |
| まともに | 2 | 3.42 |
| 模造 | 2 | 5.07 |
| 降らせる | 2 | 4.63 |
| どうでも良い | 2 | 3.51 |
| 如き | 2 | 3.42 |
| 大袈裟 | 2 | 4.10 |
| 苦しめる | 2 | 4.03 |
| 性別 | 2 | 3.80 |
| とてもじゃないが | 2 | 4.51 |
| 危険 | 2 | 2.75 |
| 冷静 | 2 | 3.16 |
| 意味合い | 2 | 4.05 |
| 突く | 2 | 3.32 |
| 媚び | 2 | 4.75 |
| 作家 | 2 | 4.37 |
| ハグ | 2 | 4.58 |
| 器用 | 2 | 3.03 |
| あはははは | 2 | 4.27 |
| 一端 | 2 | 4.01 |
| 目的 | 2 | 2.83 |
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