The moment Nozomi received a scout offer to enter the entertainment industry, she realized, "Oh, this is the world of a web novel." In that novel, she was what you'd call a "villain" character—she became infatuated with the main hero and ended up playing the role of a stepping stone, losing her position as a top actress to the heroine, a newcomer actress. Thinking that if she couldn't go against the scenario, she might as well become the ultimate rival, she worked hard with this determination and ended up acquiring unexpectedly high specs. What does tomorrow hold for Nozomi? ※On 4/20, I posted two "progress reports" as sequels in two parts (before and after). This is now completely concluded. Thank you for your support.
| Word | Frequency | Difficulty |
|---|---|---|
| 誘う | 16 | 3.11 |
| はい | 16 | 2.31 |
| ちゃ | 17 | 2.92 |
| そうだ | 17 | 2.18 |
| お前 | 17 | 2.16 |
| 受ける | 17 | 2.66 |
| スケジュール | 17 | 4.21 |
| 多い | 17 | 2.52 |
| 無理 | 17 | 2.63 |
| お仕事 | 17 | 3.73 |
| 妹 | 17 | 2.85 |
| 車 | 17 | 3.37 |
| 剔 | 17 | 2.60 |
| わね | 17 | 2.77 |
| 頃 | 17 | 2.85 |
| メール | 17 | 3.78 |
| 姑く | 17 | 2.89 |
| へと | 17 | 2.14 |
| ゆっくり | 17 | 2.72 |
| 座る | 17 | 2.78 |
| 子供 | 17 | 2.60 |
| さぁ | 17 | 3.31 |
| カメラ | 17 | 4.02 |
| きっと | 17 | 2.65 |
| 正直 | 17 | 2.91 |
| それ迄 | 17 | 3.26 |
| 親戚 | 17 | 3.93 |
| 帰る | 17 | 2.52 |
| 芸人 | 17 | 4.65 |
| 連絡 | 18 | 3.05 |
| 隣 | 18 | 2.64 |
| 頭 | 18 | 2.23 |
| 今度 | 18 | 2.69 |
| 本人 | 18 | 2.96 |
| 役どころ | 18 | 5.41 |
| 見える | 18 | 2.26 |
| きっかけ | 18 | 3.69 |
| 一緒に | 18 | 2.46 |
| これまで | 18 | 3.00 |
| ファン | 18 | 3.72 |
| 家 | 18 | 2.15 |
| 不 | 18 | 2.72 |
| 分かる | 18 | 2.00 |
| 出演 | 18 | 4.74 |
| ます | 18 | 2.81 |
| 既に | 18 | 2.68 |
| はぁ | 19 | 2.88 |
| 犯人 | 19 | 3.57 |
| 下土 | 19 | 2.58 |
| 告げる | 19 | 2.80 |
| あー | 19 | 2.91 |
| 入り | 19 | 3.18 |
| 回る | 19 | 2.52 |
| だろ | 19 | 2.69 |
| 女 | 19 | 2.48 |
| 警察 | 19 | 3.87 |
| だったら | 19 | 2.90 |
| 瞳 | 19 | 2.67 |
| 流石に | 19 | 2.63 |
| 関係 | 19 | 2.73 |
| 感じ | 20 | 2.29 |
| ほら | 20 | 3.02 |
| 電話 | 20 | 3.70 |
| 一度 | 20 | 2.79 |
| ては | 20 | 2.43 |
| ようだ | 20 | 2.24 |
| ところで | 20 | 2.57 |
| それでも | 20 | 2.43 |
| 為に | 20 | 2.22 |
| 腕 | 20 | 2.52 |
| される | 20 | 2.48 |
| 其れだけ | 20 | 2.66 |
| 画面 | 20 | 3.68 |
| 態度 | 20 | 2.94 |
| 取材 | 20 | 4.56 |
| とも | 20 | 2.37 |
| 彼ら | 21 | 2.47 |
| 後 | 21 | 2.36 |
| 読む | 21 | 2.89 |
| んじゃ | 21 | 2.56 |
| 者 | 21 | 2.04 |
| での | 21 | 2.60 |
| 部屋 | 21 | 2.30 |
| ばかり | 21 | 2.53 |
| 気持ち | 21 | 2.61 |
| 直ぐに | 21 | 2.43 |
| こんな | 21 | 2.33 |
| 最初 | 21 | 2.54 |
| 庭内 | 21 | 2.27 |
| みたい | 21 | 2.65 |
| 側 | 21 | 2.68 |
| まま | 21 | 2.40 |
| 七日 | 21 | 2.50 |
| 知らない | 21 | 2.68 |
| 世界 | 21 | 2.18 |
| 向かう | 21 | 2.31 |
| どうして | 21 | 2.71 |
| かな | 22 | 2.42 |
| って言う | 22 | 2.83 |
| ものの | 22 | 2.77 |
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