The moment Nozomi received a scout offer to enter the entertainment industry, she realized, "Oh, this is the world of a web novel." In that novel, she was what you'd call a "villain" character—she became infatuated with the main hero and ended up playing the role of a stepping stone, losing her position as a top actress to the heroine, a newcomer actress. Thinking that if she couldn't go against the scenario, she might as well become the ultimate rival, she worked hard with this determination and ended up acquiring unexpectedly high specs. What does tomorrow hold for Nozomi? ※On 4/20, I posted two "progress reports" as sequels in two parts (before and after). This is now completely concluded. Thank you for your support.
| Word | Frequency | Difficulty |
|---|---|---|
| はずだ | 16 | 2.64 |
| 事件 | 16 | 3.20 |
| きっと | 17 | 2.65 |
| 座る | 17 | 2.78 |
| 妹 | 17 | 2.85 |
| さぁ | 17 | 3.31 |
| 頃 | 17 | 2.85 |
| ゆっくり | 17 | 2.72 |
| 剔 | 17 | 2.60 |
| わね | 17 | 2.77 |
| そうだ | 17 | 2.18 |
| メール | 17 | 3.78 |
| 無理 | 17 | 2.63 |
| お仕事 | 17 | 3.73 |
| スケジュール | 17 | 4.21 |
| それ迄 | 17 | 3.26 |
| ちゃ | 17 | 2.92 |
| お前 | 17 | 2.16 |
| 車 | 17 | 3.37 |
| 帰る | 17 | 2.52 |
| カメラ | 17 | 4.02 |
| 多い | 17 | 2.52 |
| 親戚 | 17 | 3.93 |
| へと | 17 | 2.14 |
| 正直 | 17 | 2.91 |
| 子供 | 17 | 2.60 |
| 受ける | 17 | 2.66 |
| 姑く | 17 | 2.89 |
| 芸人 | 17 | 4.65 |
| 分かる | 18 | 2.00 |
| 出演 | 18 | 4.74 |
| 頭 | 18 | 2.23 |
| きっかけ | 18 | 3.69 |
| 見える | 18 | 2.26 |
| ます | 18 | 2.81 |
| 本人 | 18 | 2.96 |
| 今度 | 18 | 2.69 |
| ファン | 18 | 3.72 |
| 家 | 18 | 2.15 |
| 役どころ | 18 | 5.41 |
| 既に | 18 | 2.68 |
| これまで | 18 | 3.00 |
| 隣 | 18 | 2.64 |
| 連絡 | 18 | 3.05 |
| 一緒に | 18 | 2.46 |
| 不 | 18 | 2.72 |
| あー | 19 | 2.91 |
| 告げる | 19 | 2.80 |
| 下土 | 19 | 2.58 |
| 警察 | 19 | 3.87 |
| 犯人 | 19 | 3.57 |
| 瞳 | 19 | 2.67 |
| 入り | 19 | 3.18 |
| 流石に | 19 | 2.63 |
| だったら | 19 | 2.90 |
| 回る | 19 | 2.52 |
| 関係 | 19 | 2.73 |
| だろ | 19 | 2.69 |
| はぁ | 19 | 2.88 |
| 女 | 19 | 2.48 |
| 一度 | 20 | 2.79 |
| 電話 | 20 | 3.70 |
| とも | 20 | 2.37 |
| 為に | 20 | 2.22 |
| それでも | 20 | 2.43 |
| ては | 20 | 2.43 |
| ほら | 20 | 3.02 |
| 腕 | 20 | 2.52 |
| ところで | 20 | 2.57 |
| 態度 | 20 | 2.94 |
| 取材 | 20 | 4.56 |
| ようだ | 20 | 2.24 |
| 感じ | 20 | 2.29 |
| 其れだけ | 20 | 2.66 |
| 画面 | 20 | 3.68 |
| される | 20 | 2.48 |
| 最初 | 21 | 2.54 |
| 気持ち | 21 | 2.61 |
| どうして | 21 | 2.71 |
| 彼ら | 21 | 2.47 |
| まま | 21 | 2.40 |
| 側 | 21 | 2.68 |
| 読む | 21 | 2.89 |
| んじゃ | 21 | 2.56 |
| みたい | 21 | 2.65 |
| 向かう | 21 | 2.31 |
| 直ぐに | 21 | 2.43 |
| 庭内 | 21 | 2.27 |
| 世界 | 21 | 2.18 |
| ばかり | 21 | 2.53 |
| 知らない | 21 | 2.68 |
| 部屋 | 21 | 2.30 |
| での | 21 | 2.60 |
| 後 | 21 | 2.36 |
| こんな | 21 | 2.33 |
| 者 | 21 | 2.04 |
| 七日 | 21 | 2.50 |
| 可愛い | 22 | 2.81 |
| ものの | 22 | 2.77 |
| 出す | 22 | 2.43 |
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