Have you ever read "Funeral Record" by Akutagawa Ryunosuke? As for Akutagawa Ryunosuke's works, it is common knowledge that works such as "Rashomon," "The Spider's Thread," "Duzhanzi," and "Hell Screen" are famous. Furthermore, "The Nose" is a work that was recognized by Natsume Soseki at the time, and later Akutagawa Ryunosuke became a student under Natsume Soseki. At a time when those around Akutagawa Ryunosuke did not readily recognize his works, being recognized by Natsume Soseki must have had a great influence on Akutagawa Ryunosuke. Then, Akutagawa Ryunosuke's mentor, Natsume Soseki, dies from illness. "Funeral Record" is a work written in Akutagawa Ryunosuke's own writing style, expressing Akutagawa Ryunosuke's feelings at that time after losing Natsume Soseki. Regarding this work, I sincerely hope you will read it if you have the opportunity. Now, the main topic begins here. The year is 20XX. In a certain high school within Japan, there is one difficult and fastidious first-year student—a serious boy with an awkward way of expressing emotions, named Ryunosuke. In the same class, there is one very gentle boy named Natsume. Natsume has a warm and gentle atmosphere, but when push comes to shove, he is stubborn and follows through with his convictions. He is very skilled at expressing emotions and is also good at supporting others. This is the story of such a Ryunosuke and Natsume.
| Word | Frequency | Difficulty |
|---|---|---|
| 二人とも | 1 | 3.32 |
| により | 1 | 2.99 |
| いざとなると | 1 | 5.53 |
| 行う | 1 | 2.53 |
| だけでなく | 1 | 3.27 |
| 進む | 1 | 2.84 |
| 進んで | 1 | 3.07 |
| 回 | 1 | 3.36 |
| 憂鬱 | 1 | 4.20 |
| 伏線 | 1 | 4.84 |
| ただならぬ | 1 | 4.66 |
| ば | 1 | 1.60 |
| 迎え | 1 | 3.35 |
| 行けません | 1 | 3.55 |
| 思える | 1 | 2.63 |
| 黙る | 1 | 2.92 |
| 亡くす | 1 | 4.05 |
| あり | 1 | 2.26 |
| 斜め | 1 | 4.01 |
| もし | 1 | 2.64 |
| 暫くして | 1 | 3.75 |
| 気に触る | 1 | 6.22 |
| 到来 | 1 | 4.45 |
| 慰め | 1 | 3.79 |
| 日本 | 1 | 3.01 |
| 意志 | 1 | 3.40 |
| あの頃 | 1 | 3.89 |
| みたいだ | 1 | 2.84 |
| 多少 | 1 | 3.02 |
| のだ | 1 | 1.65 |
| 発見 | 1 | 3.22 |
| カ | 1 | 4.14 |
| 相思相愛 | 1 | 4.91 |
| ではある | 1 | 2.91 |
| 若い | 1 | 3.13 |
| 止まない | 1 | 4.63 |
| あり得ない | 1 | 3.35 |
| 祝詞 | 1 | 3.05 |
| どっか | 1 | 3.81 |
| 刎 | 1 | 3.53 |
| 隣 | 1 | 2.64 |
| 気付く | 1 | 2.70 |
| 場合 | 1 | 2.60 |
| へぇ | 1 | 3.58 |
| と言えば | 1 | 3.04 |
| 集まる | 1 | 2.88 |
| 短編 | 1 | 4.35 |
| 辞める | 1 | 3.79 |
| 以降 | 1 | 3.32 |
| シーン | 1 | 3.86 |
| 合う | 1 | 2.87 |
| 訪ねる | 1 | 3.68 |
| もん | 1 | 2.71 |
| 時間 | 1 | 2.25 |
| クセになる | 1 | 5.72 |
| 具合が悪い | 1 | 4.81 |
| 人間 | 1 | 2.21 |
| 教え | 1 | 2.64 |
| よし | 1 | 2.94 |
| 詮索 | 1 | 4.38 |
| ってか | 1 | 3.72 |
| 貫き通す | 1 | 4.82 |
| 手書き | 1 | 4.83 |
| クビ | 1 | 4.57 |
| ここから | 1 | 3.14 |
| 一体 | 1 | 2.67 |
| ほら | 1 | 3.02 |
| 向かい | 1 | 3.46 |
| 加減 | 1 | 3.84 |
| 室内 | 1 | 3.51 |
| くらい | 1 | 2.33 |
| 冒頭 | 1 | 4.56 |
| 哭く | 1 | 2.05 |
| 答える | 1 | 2.69 |
| 事がある | 1 | 2.89 |
| 大人しい | 1 | 3.95 |
| 佐賀 | 1 | 3.23 |
| 本人 | 1 | 2.96 |
| 静かに | 1 | 3.02 |
| みたいな | 1 | 2.70 |
| 本題 | 1 | 3.82 |
| 数日後 | 1 | 4.04 |
| ぐらい | 1 | 2.70 |
| 野太刀 | 1 | 5.05 |
| 必要ない | 1 | 3.67 |
| ところで | 1 | 2.57 |
| ミステリアス | 1 | 5.10 |
| スピンオフ | 1 | 5.41 |
| 内 | 1 | 2.69 |
| ロック | 1 | 3.59 |
| だが | 1 | 1.83 |
| 様に | 1 | 1.76 |
| ならない | 1 | 2.51 |
| 〇 | 1 | 3.31 |
| 今度 | 1 | 2.69 |
| 画僧 | 1 | 2.89 |
| 喋る | 1 | 3.37 |
| 果たして | 1 | 3.43 |
| 本編 | 1 | 4.03 |
| 懸 | 1 | 2.62 |
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